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The Franklin Players Ensemble have been scrambling to find a director for their usual spring Shakespeare production ever since the usual one went on sabbatical. Apparently she’s off in Ireland in some kind of year-long workshop in the middle of a forest. Josh personally thinks it’s a load of bullshit, but actors are just kind of- like that. They think suffering and intensity is what makes art. This is why Josh doesn’t touch that side of theater with a ten foot pole. He’s perfectly happy with his stress-based suffering and intensity, thank you very much.
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Josh Dun has been working as a stage manager for nearly a decade now. He has a routine that he happily repeats for each show after another. He has a good friend group, an apartment that is perfect for him, and a dog that he adores. Sure it's a bit monotonous, but that’s how he likes it. Safe, repetitive, and warm.
Then award winning director Tyler Joseph returns from New York to direct the company’s production of Hamlet. Suddenly, Josh’s peaceful little bubble that he worked so hard to build is threatened.
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Hermione said nothing, just huffed slightly, she stormed into the classroom taking her seat in the front leaving Harry to trail behind. Harry knew that Hermione was only trying to help him, but he couldn’t deal with it.
Harry had lived his whole life as the Boy Who Lived, his whole life being special by circumstance of his parents death. He just wanted to be normal, to go to class and to keep his head down. No one ever seemed to understand that, Ron wanted Harry to use his fame for everything, and Hermione lived for mystery and adventure. But Harry just wished it would all end.
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Harry has one wish for his seventh year, he just wants for it to be normal, but of course he doesn't get what he wants. Because wherever Harry goes flowers sprout in his wake. It doesn't really become a problem until he starts coughing up these flowers.
Why can't he have one normal year?
Bookmarked by Implicit_Demand
19 Oct 2020

