Gray_Days



Recent works

Recent series

  1. Summary

    From the outside, Drake Donovan looks a lot like the straight white male detective that everyone expects. He works very hard to make sure of that.

    After all, people like him don't get to be the protagonist of anyone's story.

    They're lucky if they survive to end of the book.

    Words:
    46,467
    Works:
    2
    Bookmarks:
    3
  2. Summary

    Gilbert and Sullivan, but make it unflinchingly anti-imperialist.

    Swashbuckling adventure on the high seas! Naval battles! Grand larceny! Found family! Heartbreak! Betrayal! 'Orrible murders! Ruthless villains! Blood! Orphans! An absolute bevy of orphans! If we can't find any, we'll make some!

    …even more blood!

    Oh. Oh wow. That's, yeah, wow. That's a lot of blood.

    Words:
    31,496
    Works:
    2
    Bookmarks:
    9
  3. Summary

    Everything happens, somewhere in the multiverse. Every choice is reflected and refracted across infinity until the resulting images are unrecognisable — or all too recognisable, when they're wrong in every respect.

    An orphaned boy sculpts himself into a murderer. The most powerful being in the galaxy craves nothing but what little power still eludes him. A woman with the blessings of the gods uses them to devastate the world.

    And there are certain people — still, always — who say no. No more. This is where it ends.

    If not me, then who?

    Words:
    25,658
    Works:
    11
    Bookmarks:
    20
  4. Summary

    Great power, Burke suggests in The Sublime and the Beautiful, should never aspire to be — and can never actually be — beautiful. What great power needs is sublimity. The sublime is the sensation we experience in the face of extreme pain, danger, or terror. It is something like awe but tinged with fear and dread. Burke calls it “delightful horror.” Great power should aspire to sublimity because sublimity produces the strongest emotion which the human mind is capable of feeling. It is an arresting yet invigorating emotion, which has the simultaneous but contradictory effect of diminishing and magnifying us. We feel annihilated by great power; at the same time, our sense of self swells when we are conversant with terrible objects.

    — Corey Robin, The Reactionary Mind


    It’s a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves?

    — Donna Tartt, The Secret History

    Words:
    15,097
    Works:
    4
    Bookmarks:
    6
  5. Summary

    This series contains alternate-universe spinoffs from Children of Pallas's main continuity. Unless otherwise stated, works in this series are not canon to Children of Pallas and have no bearing on that continuity.

    Words:
    9,277
    Works:
    1
    Bookmarks:
    3