And, In Sign of Ancient Love, Their Plighted Hands They Join
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On the battlefield Pharah is strong, is confident, is in control; elsewhere, Fareeha is not.
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Sometimes the pressures of combat and command get to Fareeha, and Angela helps her in what ways she can.
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As both a scientist and a doctor, Angela has learned to like answers. As an orphan, Angela has learned to no longer need touch. Fareeha changes both of these things.
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Angela has long closed herself off, believing such to be safer. Fareeha proves such a practice unsustainable.Series
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A look at what drives Fareeha and Angela; the ways in which they are different, and the ways in which they are same. How do they define themselves? How can they justify the things they have done? How do they sleep at night?
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Fareeha knew her mother survived her encounter with Widowmaker, and understands Ana's reasons for going underground. What she does not understand is this: where she and Ana now stand in their relationship with one another. What she does not understand is this: how her mother can return and expect things to be the same as they ever were. What she does not understand is this: how she feels when she speaks to her mother now, how she thinks of herself in relation to her mother's legacy, how she can hope to move forward when she is constantly reminded of the past.
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Ana returns, and Fareeha struggles to reconcile her emotions and her expectations.
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Angela knows, if she tells Fareeha this, that she will not mind, knows Fareeha will accept her for whom she is, but that does not make the act of telling any less nerve-wracking, does not make saying the words any easier.
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Angela is trans; Fareeha is accepting.
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(Your Heart is Strong) Enough by euhemeria for vic_e_ter
Fandoms: Overwatch (Video Game)
29 Sep 2016
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She will never fit a certain societal ideal of femininity, will never be able to achieve white womanhood, or straight womanhood, will always embody a womanhood which the rest of the world finds somehow lacking—and that is okay by her. Her sort of womanhood matters, too.
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Fareeha considers the roles of womanhood and masculinity in her life.
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Between missions and crises, Angela and Fareeha take time to breathe, and to be, just as they are.
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The little things that make up Angela and Fareeha's day-to-day life.
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(I'm Always Free to Run) Home by euhemeria for , lesbeeian
Fandoms: Overwatch (Video Game)
01 Nov 2016
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Ana Amari has been many things to many people, has fulfilled many roles, that of friend, that of soldier, that of lover, but there is only one which she is truly proud to claim: that of a mother.
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After returning to Overwatch, Ana once again must find her place.
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In part, Fareeha is being deliberately vague, but, also, she finds she is a bit shy about broaching the subject. While she may have no need to be so, she is, nonetheless, a bit bashful about expressing this desire.
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Fareeha wants to try something new, and it goes differently (and better) than she expected.
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She hesitated for only a moment, but sometimes a moment is all that stands between life and death. (It is not better to have loved and lost if the losing was by one's own hand, but better, instead, never to have loved at all.)
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Angela fully realizes the problem with dating a soldier.
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All that she has, she has taken. Her rifle, her place, her life.
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Sometimes, who the Shrike is feels a bit too close to who Ana was, and she puts herself to rights as best she can with what she has.
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She moves Fareeha's hand in a circle over her heart, palm flat, to give voice to a desire for which she cannot find the words. Please, she makes Fareeha sign for her, please, please, please.
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Sometimes, Angela needs someone else to take control, to remove responsibility from her, and sometimes, words do not come easily, or at all.
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There are others who observe Hanukkah with her now, but still, some part of Angela will always yearn for more, for a larger community. Some part of her will always be the six-year-old girl marking her first Hanukkah as the only Ziegler left alive.
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Angela reflects on the place her Judaism has in her life, in her family, and in her relationship.
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No matter what Fareeha says next, the tide will come in, will leave again, will return once more.
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In the new year, Fareeha wants to move forwards, wants the dance between herself and her mother to end, and wants for the two of them to begin to heal.
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Now, her dream seems foolish, seems an impossible one, in the face of what she has learned to be the truth of the world, in the face of what she has seen, in the face of what she has chosen to do, and what she has been made to.
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Ana comes to terms with who she is, and how she got there, before she returns to the fold.
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She stays, not drawn in by the uncertainty, nor the strangeness of it all, not by the fame nor, truly, the cause, but by the challenge, to prove herself once again, to show that she is number one, is worthy of a place, here, or anywhere.
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Hana wants to be seen as the soldier she is, worthy of her place among heroes, and not be dismissed by the elder members of Overwatch due to her age and supposed immaturity.
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A part of her wants to breathe, but the rest wants to follow orders, to not have to choose for once, and so she stays still as she can. She can trust Angela with this, can trust Angela with her life.
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Fareeha wants to try something new in the bedroom, but Angela isn't entirely sold on the idea.
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"Oh yes," says Angela, more than a touch of sarcasm in her voice, "Watching you screw things in with those clever fingers of yours really gets me going. I watch you work and I think, 'Why doesn't she touch me like that?'"
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After repairing the Raptora suit, Fareeha shows Angela just how clever her fingers can be.
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For a moment, she does nothing but listen to Angela's breathing on the other end of the line, hears it hitch at the same time that her own hips jerk, and feels, somehow, that if they are still in tune so many kilometers and hours away from one another, then all is still right in the world.
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Fareeha and Angela have some lighthearted, playful (phone) sex.
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They have met, time and again, by name and by reputation, as coworkers, as people, and as friends, and now, they find themselves meeting in a way which is entirely new.
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Through a series of introductions, Satya and Mei find themselves, and one another.
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